Skip to main content

New Project

Hello!

Sometime while at University, studying Computer Games Arts, I had a vision for a video game.

This idea, from 2015, would turn out to become a passion project where I mused, jotted and doodled on the sidelines of studying. It wasn't for a further three years until I decided to actually put pen to paper (or pen to tablet in my case) and bring my idea to life. As the quote goes, "A dream is just a dream until you decide to make it real" or "All our dreams can come true, if we have the courage to pursue them".

So in Autumn 2018, I did just that. Pursued my dreams.

Now I wouldn't attempt to make a whole game all by myself. That would be silly and take literally years! I lulled over the notion of asking fellow graduates and freelance artists to aid in bringing my vision to life. This would be great but several factors including money and time played on my mind...alot.

Then a marvellous and well timed discovery let me craft around this problem. I saw an artists portfolio of visual development from concepts to model sheets, storyboards, 3D renders, matte paintings, the works. Of a fictional game IP. I actually saw all these paintings and thought they were for a big budget AAA game! Bammie-wham.

Moving forward on the vision, I am to generate multiple game art assets towards this fictitious game. Of which, I am calling 'Untitled' as my working title (inventive I know). This passion project is a challenge of creativity I am willing to embrace because there's an important benefit I hope to gain from it. As Maya Angelou poignantly said "There is no greater agony than bearing an untold story inside you".

I've been developing on this project and its gripping story, in my spare time. Teasing of hints here and there on my socials, and now I thought what better way than to share my game art journey, with those of whom are interested, by making a blog.


Wish me luck on my venture!


Thanks for reading :)

Comments

Post a Comment

Popular posts from this blog

6 Yr Blog Anniversary

H appy  6th Blogiversary! Six years ago today, this project began! Over two thousand days later  (Gulp) , I'm still proud of the consistency I've maintained. I often think back to University, which instilled in me the habit of posting regularly on Blogger. Looking back, it's incredible to see how much has changed, and yet how much the core of this project remains the same.  It's not always easy, but this blog has become a vital part of my creative process and personal growth. Developing D_ROGUE has been a long journey with many challenges and lessons learned along the way. Seeing the progress over the years fuels my motivation, especially that initial drive to document my work and build a portfolio. There's still a looooooong way to go, but I'm more determined than ever. Remembering my original intent...to document my journey, share my learnings, and build a portfolio, is key. Seeing my skills grow through previous posts has been both invaluable and ...
Post a Comment
Read more

Arnold Render Tests

A fter months and months of modelling, UV unwrapping and exporting assets, it has been very refreshing to now open up Maya 2026 and experiment with all the new features. The first thing I just had to do was to try out the latest version of the  built-in ray tracing renderer, Arnold 7.4. Excitedly, I opened up the wheelhouse interior scene, dropped in a HDRI map on a skydome light, and experimented with all the settings. I increased the brightness of the lights in the attribute editor (as it is an interior space it will be inherently darker), and played around with the number of samples to improve the overall image quality (more iterations for rays to bounce and do their thing). I'm incredibly pleased with how these greyscale renders of the wheelhouse below turned out. They not only bring the space to life visually, but also motivate me to get back into the creative flow. Jason Bartlett © Jason Bartlett © Jason Bartlett © Jason Bartlett © Next time, I'll show some development of...
Post a Comment
Read more

Forepeak Progress

F ollowing on from the progress made modelling the bulwarks of the  F/V  Scully's  main  deck, I continued along towards the bow. Below we have the forepeak. This is the very most forward section of a boat, typically used in crab fishing vessels for frozen bait, general storage and essential machinery. The process of bringing the forepeak to life involved not just creating its fundamental shape, but also considering the practicalities of its function for authenticity; much like the rest of the boat. Given how vital this area on the boat is, I made sure to pay careful attention to the steel plating and seamless transition from the sides upwards .  The forepeak, in particular, has to look integrated with the rest of the deck and feel like it is capable of withstanding the constant battle with the elements; visually reflecting both its inherent strength and industrial purposes. Jason Bartlett © Next time, I concentrate very hard on getting the bow just right (that'...
Post a Comment
Read more