Skip to main content

Galley Progress

O

ne of the most enjoyable interior spaces of the F/V Scully to model so far has been the galley. This is the heart of the fishing vessel, serving as both the kitchen and the crew's lounge area. My primary inspiration was the galley of the F/V Saga, as seen on the TV show Deadliest Catch. 

While I do replicate pre-existing elements, drawing heavily from real-world references, a significant part of the interior design process involves reverse-engineering features to accurately reflect the late 70s setting. For instance, the kitchen appliances underwent a deep dive, from the specific oven models to the design of the taps (faucets for any Americans reading). I've ensured that (almost) everything looks like it belongs from the 70s, rather than from a modern boat. This approach to even the smallest of details is central to creating an authentic experience.

Additionally, the challenge with this space was not simply to model a kitchen that looks functional, but also to capture the human aspect. The feeling that this is a space that's lived-in, a space that is both a place of work and a place of rest for the crew of the F/V Scully.

Below are a couple of screenshots of the galley. The majority of the units and panelling will be wooden; specifically teak. I'm eager to introduce earth tones with pops of colour during the texturing phase!



Jason Bartlett ©

Jason Bartlett ©


For the next post, I'll share some of the various assets I've been working on!


Thanks for reading :)


Comments

Post a Comment

Popular posts from this blog

Crab Pot

For the next step of the modelling process of the crab pot, I was challenged with another huge hurdle ( to say the least). This stage was where all the painstaking problems crawled in again.  The rope. I thought making some bendy cords would be simple enough, but believe me, it was anything but. There aren't many tutorials, covering the whole modelling process to the end 'game ready' product, for rope. So, like previous obstacles I faced in the modelling stage, I used multiple methods and trial and error to find the best path.  Actually, creating a tube following a manually placed path, was the easiest part for me. I had picked this step up while at University. However, I had to manually place and move each Bezier path to form the guide lines, for yards of rope, in a natural and realistic way. Hundreds of them. I spent more hours than I would have liked, setting up the paths to guide the rope along. I kept asking myself that there must be an easier way to tie...
Post a Comment
Read more

Render Tests

An important element in the conceptual stage is to not look at a problem from one perspective. It's always best to get multiple views to achieve a greater outcome. To reach an end goal is one thing. The journey to that end goal is something else entirely. One of my favourite quotes by Carl Friedrich Gauss states "It is not knowledge, but the act of learning, not possession but the act of getting there, which grants the greatest enjoyment". I totally agree with this and it applies to game development. Creating something big or small brings its challenges and the act to reach the finish line is where the magic happens. I hope to experiment in several styles, as would any other artist working early on in game development; focusing on diversity and demonstrating imagination. Jason Bartlett © I created the above image, of a  bow mast, using the toon shader in the render settings of Arnold for Maya. I really enjoyed creating the style, was simple to se...
Post a Comment
Read more

New Project

Hello! Sometime while at University, studying Computer Games Arts, I had a vision for a video game. This idea, from 2015, would turn out to become a passion project where I mused, jotted and doodled on the sidelines of studying.  It wasn't for a further three years until I decided to actually put pen to paper (or pen to tablet in my case) and bring my idea to life.  As the quote goes, "A dream is just a dream until you decide to make it real" or "All our dreams can come true, if we have the courage to pursue them". So in Autumn 2018, I did just that. Pursued my dreams. Now I wouldn't attempt to make a whole game all by myself. That would be silly and take literally years!  I lulled over the notion of asking fellow  graduates and  freelance artists  to aid in bringing my vision to life. This would be great but several factors including money and time played on my mind...alot. Then a marvell...
Post a Comment
Read more